Bobbye Hall

Bobbye Jean Hall is an American percussionist who has recorded with a variety of rock, soul, blues and jazz artists, and has appeared on 20 songs that reached the top ten in the Billboard Hot 100.

Bobbye Jean Hall was born in Detroit, Michigan, and began her career there playing percussion in nightclubs while still in her teens. While playing at the 20 Grand nightclub in 1961 she was approached by Motown arranger Paul Riser to play on a recording session. Using bongos, congas and other percussion, she played uncredited on many Motown recordings in the 1960s. She lived in Europe for a few years during which time she changed the spelling of her name from Bobby to Bobbye, to distinguish herself as a woman percussionist and as a unique musician. She moved to Los Angeles in 1970 where she was one of the few female session musicians in a male-dominated profession, a sometime associate of the Funk Brothers and the so-called Wrecking Crew. Already a veteran player by May 1971, she was featured on congas in the studio video of the Temptations doing "Sorry Is A Sorry Word", and she added her bongo skills to Marvin Gaye's "Inner City Blues (Make Me Wanna Holler)". Her first studio gig behind a full rock drum kit was with Chris Ethridge on his 1971 album L.A. Getaway-Ethridge said "she was great". She also played on the Gene Clark album, White Light, of the same year.

Hall recorded several albums with Bill Withers, including his No. 1 hit "Lean On Me", and his Live at Carnegie Hall album. She toured with Carole King in May–June 1973 after having participated on two of King's studio albums. During this tour Hall asked King to stop introducing her as "Little Bobbye from Detroit". King suggested "Ms. Bobbye Hall" and from that time forward, Hall was known as Ms. Bobbye Hall. In May 1974, she performed again at Carnegie Hall, this time backing James Taylor, a follow-up to appearing on two of his albums. Stevie Wonder used Hall's percussion skills for a few songs in 1974 and 1976, including "Bird of Beauty" on which her artful quica work established a mood of Brazil at Carnival.

In 1973–1974, Hall began to be credited sometimes as Bobbye Hall Porter, also Bobbye Porter Hall, after her marriage to record producer Joe Porter. Hall released one album of her own in March 1977: Body Language For Lovers, a soul-jazz instrumental work featuring tunes co-written with her husband. Billboard recommended the LP, but it did not chart.